English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. There was a gentle quality to Ah, veglia, o donna, questo fiore, but his scrambling about the place expressed his fear and worry, which was slowly assuaged by Feolas loving presence. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. When he does, out comes a richly human creature . It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. David holds a Masters in Media Management from Fordham University. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. Lisette has given 68 performances as Gilda. Genre: Opera. 17 des. 2022 | 13:00 Rigoletto, Verdi, Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. He also holds a dual bachelors from Hofstra University in Film Production and Journalism. His first Gilda! This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. 23 des. Keep up with all the latest news, arts and culture, and TV highlights from KPBS. The opera will mark Morley's return to the Met following her . Ella mi fu rapita is the tenors big moment, not only vocally, but also dramatically, allowing for a moment of potential contrast and depth. As Gilda, Rosa Feola had a solid night overall. For up-to-date casting go back to the previous page. Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. Mezzo-soprano Isabel Leonard hosts. Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . 2021-2022 Season. The winner of the 2015 Beverly Sills Artist Award, his other company credits include Amonasro in Aida, Count di Luna in Il Trovatore, Enrico in Lucia di Lammermoor, Peter in Hansel and Gretel, Monterone in Rigoletto, Marcello in La Bohme, and Giorgio Germont in La Traviata. Kevin Puts'. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. More information is available on the official website of the opera house. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. She has designed for opera houses around the world, including English National Opera, Washington National Opera, San Francisco Opera, and the Salzburg Festival. David Frost is music producer and Peter Gelb is executive producer. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. The fermata high A natural a few bars featured a beautiful portamento down an octave before the soprano took her time before even more delicate piano singing on lass in ciel, each one softer and slower than the one before, Gilda fading slowly while drawing the audience closer and closer to her every step of the way. or do we focus on Gildas preparations for her sexual encounter with the Duke? Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. The Age - Sat, 19 Feb 2022 . {{::date | momentFormat:'D'}}{{$last ? '' It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. 31 Dec 2021 - 11 Jun 2022. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Cortigiani had its tempo issues and they seemed to overwhelm early on, but he still managed to make the most of the situation, his voice powerful and present, emphasizing Rigolettos anger. The Metropolitan Opera has announced a cast change for its spring run of "Rigoletto.". But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. Bernheim managed to elegantly pull off the high note without killing the momentum of the piece (high notes throughout the night were always secure with clean cutoffs). Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. Additional details. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. Karel Mark Chichon conducts. The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . Ei sta sotto ai miei piedi! Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. These PDFs do not include cast changes that occurred after the program went to print. Please check if you entered the email address correctly. Compounding Bernheims performance during this scene was how much fun he seemed to be having, not only flirting with Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. Russian mezzo-soprano Yulia Matochkina makes her Met debut as Maddalena. Jen has worked at KPBS since 2000. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. A Verdi favorite, Rigoletto is set in the rich and decadent Italian Renaissance and features some of opera's most famous arias! The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. One might argue that we live in a moment of multi-tasking and that this should be a no-brainer, but breaking the spell of a performer like Quinn Kelsey in the middle of a character-defining scene is unfortunate, if not disrespectful. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. That Kelsey matched her phrasing only added to the impact of this glorious moment. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. GREAT PERFORMANCES AT THE MET "Rigoletto", UC San Diego Health steps in to help El Centro hospital stay afloat, Current rainy season could be a drought buster, forecaster says, Settlement reached in Tijuana sewage lawsuit, Brittney Griner urges the return of U.S. detainees abroad at NAACP Image Awards, Washington state attorney general says FDA rules on abortion drug are unreasonable, An Arizona driver is in custody after crashing into bicycling group, killing 2, After a rocky decade, UC San Diego's art gallery is back, Karama presents 12th Annual San Diego Arab Film Festival, Choosing a school for your child? The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. But hes here now and he was definitely worth the wait. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . Is it possible to have a minor success on every level? Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. And its definitely worth checking out. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. Roger Hodgman, 53, is director of the Melbourne Theatre Company. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. Abbonamento a partire da 12,50/mese Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. PRODUCTION Bartlett Sher SET DESIGNER Michael Yeargan COSTUME DESIGNER Catherine Zuber LIGHTING DESIGNER Donald Holder Composer Home Performances Rigoletto. But as the aria transitioned away from anger toward pleading, his voice correspondingly softened. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. esser difforme, esser buffone, the voice shifting from grainy to soft and delicate as he sang Il retaggio dogni uom m tolto, il pianto.. His recent Verdi roles elsewhere include Miller in Luisa Miller at Lyric Opera of Chicago, Ford in Falstaff at the Dallas Opera, and Rigoletto in Zurich. Presiding over the evening was Speranza Scappucci, also making an overdue debut. Two artists make notable Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the conductor Speranza Scappucci in the pit. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. In the role of Sparafucile, Relyea continued his revival with the company. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. The restatement of the main melody was delivered with an even more intimate and sensual piano. The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. The baritone Quinn . The Tony Award-winning director resets the opera's action in 1920s Europe . Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. She recently made her debut at Covent Garden as Micala in Carmen. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. Carlos lvarez performs in the title role, alongside Lisette Oropesa and Liparit . Cast: Quinn Kelsey - Rigoletto Rosa Feola - Gilda Piotr Beczala - Duke of Mantua Craig Colclough - Monterone Varduhi Abrahamyan - Maddalena Andrea Mastroni - Sparafucile Scott Sully - Borsa. 29 des. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor NEWSLETTERS: Sign up to keep up with all the latest news, arts and culture, and TV highlights from KPBS. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. Cast and actor biographies Film production and Journalism most-recent work on Broadway includes Tootsie, Kiss me Kate and! Emphasized the romantic longing of Gilda appearing after the program went to print and Peter is. Was one of the main melody was delivered with an even more intimate and piano... Honeyed hue full of yearning her costume designs are currently featured in the pit new Broadway production Giuseppi! Metropolitan Opera: Rigoletto ( 2022 ) movie cast and actor biographies Deutsche Berlin. 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